classical fiction

美 [ˈklæsɪkl ˈfɪkʃn]英 [ˈklæsɪkl ˈfɪkʃn]
  • 网络古典小说
classical fictionclassical fiction
  1. The Reasonable Thought for the Classical Fiction Research in 20th Century

    二十世纪古典小说研究的理性思考

  2. The Method of Creating Characters in Chinese Classical Fiction

    中国古典小说塑造人物的运作方法

  3. We mainly study the origin of the literary form of the classical fiction .

    小说文体的起源才是我们研究的重点。

  4. A Tentative Study on the Prototype of Classical Fiction Rabbit Story

    朝鲜古典小说《兔子传》原型故事略考

  5. A Comparison between the Creative Skill of Chinese Classical Fiction and One of the Traditional Opera

    同花而异果&中国古代小说、戏曲创作手法比较

  6. He is one of the most prominent scholars in the domain of research on Chinese classical fiction theory .

    他是古代中国文言小说理论研究领域最杰出的学者之一。

  7. On the Images of Outlaw Heroes in Chinese Classical Fiction

    中国古典小说中的草莽英雄形象探析

  8. Many factor have exerted a influence on the literary form of the classical fiction , but they take different effect .

    古典小说存在多祖现象,但对古典小说产生影响的诸因素在小说文体形成中所起的作用不同。

  9. The origin of the literary form of the classical fiction is different from the origin of the fiction factor .

    我们应明确一个非常重要的问题,即小说文体的起源与小说因素的起源是两个不同的问题。

  10. Chinese classical fiction reached a peak and ancient literary theories flourished during the Ming and Qing dynasties .

    明清时期是中国古典小说创作的高峰时期,也是古代文艺理论的繁荣时期。

  11. Operatic and TV Adaptations of Chinese Classical Fiction

    古典名著的戏曲改编与电视剧改编

  12. Fictions criticism in Ming Dynasty mainly includes classical fiction criticism and popular fiction criticism relating mostly with vernacular ones .

    明代小说《列国志传》的创作与批评研究明代的小说批评,主要包括文言小说批评和通俗小说(白话小说为主体)评。

  13. When history fiction and the vernacular classical fiction tended to become decline , his fictions keep the original spirit and established the important status .

    在历史小说与拟话本小说创作均走向衰弱的清中叶,杜纲的小说保持着难得的文人独创品格,也奠定了他在中国通俗小说史上的地位。

  14. " Unfamiliarization " had also been used in the creative writing of Chinese Classical fiction self-consciously or not , so that Chinese Classical fiction has the heartquake aesthetic effect .

    陌生化理论也被自觉不自觉地运用于中国古代的小说创作中,从而使中国古代小说具有了震撼人心的审美效果。

  15. And d , imitating and transforming the forms of popular fiction such as love and detective story and classical fiction such as scripts for story-telling and literary sketches .

    以及d对近现代言情、侦探等通俗小说和话本、笔记等古典小说形式的借用与改造。

  16. A Comparison between the Chinese classical fiction and One of the traditional Opera ; The Studying of the Problem Concerning Grandmother Liu in the Dramas Which adapted from The Dream of the Red Chamber

    正本而清源&中国古代小说、戏曲起源之比较研究关于清代《红楼梦》戏曲中刘姥姥问题的探讨

  17. It has developed through heritage , progressed through development and constantly perfected through progress . There are abundant music historical materials in Chinese Classical Fiction , and it is the duty for those music lovers to excavate and study it .

    它是在继承中发展,在发展中进步,在进步中不断完善变化的。中国古典小说中的音乐史料极为丰富,对它进行挖掘研究是所有爱音乐的人的责任。

  18. " Pilgrimage to the West " is one of classical fiction in " four-big masterpiece ", the first mongolia edition was translated in early stage of Qing Dynasty , and was spread and enjoyed widely by the time .

    《西游记》是我国古典小说四大名著之一,这一巨著早在清代初期就被译为蒙古文后在蒙古民间广为流传,受到人们的喜爱。

  19. Study of Comparability between " the New Criticism " in Britain and America and the Comment On Novels of Ming and Qing Dynasties in China ; Fictions criticism in Ming Dynasty mainly includes classical fiction criticism and popular fiction criticism relating mostly with vernacular ones .

    新批评与小说评点之可比性研究明代的小说批评,主要包括文言小说批评和通俗小说(白话小说为主体)评。

  20. Imperturbably he began to ponder and reflect upon the past . He dipped his brush heavily in poignant tears to blend the tragedy of the age with culture and life , which resulted in A Dream of Red Mansions , the summit of Chinese classical fiction .

    往事已成旧梦,他开始冷静地回味与反思,对人生和历史有了很多感悟,因此他能把时代的悲剧、文化的悲剧和人生的悲剧熔为一炉,饱蘸辛酸之泪创作出中国古典小说的高峰之作《红楼梦》。

  21. North Korean scholars have been working hard at collecting , sifting and studying classical Korean fiction .

    朝鲜半岛南北分裂后,朝鲜学者一直在按自己的方式收集、整理和研究古典小说,为丰富民族文化遗产做了很多努力。

  22. Different from classical historical fiction , it omits historical time and narrates old stories in present tense .

    不同于古典历史小说,它省略了历史年代,使过去的故事在现在时态上演。

  23. Hangzhou fiction includes colloquial and classical Chinese fiction that takes Hangzhou as the background of the stories .

    凡以杭州为故事展开场景的古代通俗小说和文言小说都可称作杭州小说。

  24. The emergence of the Tang prose romances is a sign of maturity of classical Chinese fiction .

    唐传奇的出现,是我国文言小说发展到成熟阶段的一个标志。

  25. Collecting and Sifting Classical Korean Fiction in the DPRK

    解放后朝鲜对古典小说的收集、整理

  26. Owing to the fact the basically the works of Agatha Christie belong to the classification of classical detective fiction , thus the American-European classical detective fiction and its history are also briefly introduced .

    由于其作品本质上属于经典侦探小说的范畴,因而对欧美经典侦探小说及其历史也作了简要的介绍。

  27. This text surveys the classical Chinese fiction and drama in general , and points out the deviation of fiction from drama as " texts " in " narrative ", " popularity " and ontological conception .

    本文通过对古典小说戏曲的整体考察,揭示了作为文本的小说戏曲在叙事性、通俗性和本体观念上的差异,认为戏曲的精神实质是诗的,而小说的精神实质是史的。

  28. " Outlaws of the Marsh " is a full-length classical vernacular fiction in ancient Chinese , it reflects traditional Chinese culture , but also shows the true face of the language , spoken with a strong feeling , it has a very high value of the corpus .

    《水浒传》是中国古典长篇白话小说,它既反映了中国传统文化,又真实地展现了当时的语言面貌,带有浓厚的口语色彩,因此具有极高的语料价值。

  29. Chinese classical long narrative fiction often uses the space narrative structure . It will be placed in the story space , through the present series screen , to display story of the occurrence , development and ending .

    中国古典长篇叙事小说常采用空间叙事结构,将故事情节放置在空间中,通过呈现一幅幅的画面,展现故事的发生、发展和结局。

  30. We weren 't allowed to read anything that was " feudalist , " " capitalist " or " revisionist . " That meant all classical Chinese poetry and fiction ; all Western literature ; all writing from our treacherous rival , the Soviet Union .

    任何“封建主义”、“资本主义”和“修正主义”的东西都不能读,这就意味着所有中国古典诗词和小说、西方文学,以及来自闹翻的对手——苏联的文学作品都不能碰。